Tuesday, February 9, 2010

rackrent

Reading Caste Rackrent was a touch unbearable. The paragraphs which lasted more than two pages, the sentences lasting almost as long as the paragraphs, the archaic language … it was all a bit much. Reading which lent itself comfortably to neither silent reading nor to reading aloud.
Anyways, there was a story in there, and I can’t say I found that story all too compelling. I’ll admit, it was amusing at times. The ridiculous degree to which the Rackrent estate was in disarray was comical, as was good ol’ Thady’s pathetically loyal interpretation of the events.
Jason, Thady’s son and Sir Condy’s financial nemesis, is more of a villain than a hero to me. My reading of the story might not be entirely accurate (the unorthodox language and format ensured that), but as far as my understanding is concerned, Jason was a coldly logical investor looking to capitalize off the misfortune of the bone-headed-but-golden-hearted Sir Condy. It seems clear that Condy had a good heart and a terrible way with managing financial decisions; the way Jason seemed so ready and eager to swoop in and capitalize from Condy’s downfall was distasteful to me.
Thady as a narrator was a little tough to take. His tendency to refer to his humble, honest qualities made it clear these qualities most likely did not exist. His unwaivering loyalty to the Rackrent estate, even in the face of financial and social blunders, calls into question his motive for viewing and presenting the Rackrents in such a forgiving iight. He seemed unwilling to admit any wrong on behalf of any of the Rackrents or their clear misdoings. Ultimately this made Thady come across as a somewhat sniveling hanger-on loyalist to a stumbling, failing estate family.
I can’t say I picked up on any of the social, historical, or political over- or –undertones that were apparently contained within the text. I was too busy struggling with the sentences composed of thirty to fifty separate thought snippets, tied together with commas galore. I genuinely struggled my way through the text , having to stop every two or three pages to attempt to render into modern English what I had just read. Upon investigating the terms “1798 Uprising” and “Act of Union,” I came across little which seemed to relate to the novel itself. This is frustrating; I feel as if I were supposed to get more out of the story than just the reward having of completed it, difficult writing considered.
It was interesting, however, to do a little research on the novel itself. Apparently “Castle Rackrent” was the first book o utilize a narrator who’s account is neither accurate nor unbiased. This certainly defines old Thady, as his rose-(I should say Rackrent!)-colored glasses saw little of the goings-on of the Rackrent Estate in anything close to an objective manner. Obviously the preface alludes to the subjective nature of Thady’s narrative, and the benefit to such a skewed report. It paints the picture of life in those times in an intimate, accurate way, and in that regard presents an even more honest account than a dry, factual history of the Rackrent family affairs.

All in all, “Castle Rackrent” was a relatively frustrating first read here in an Introduction to the Irish Novel. I trust future books will be more directly informative and enlightening. Until then … thank you and goodnight.

4 comments:

  1. First off I want to say that I completely agree with you and say that yes, I too found it extremely difficult to read comfortably--I too tried reading it out loud and nope it didn't improve. I also agree with finding a story amidst the vast quantity of text smushed together, though it was difficult to find. I also found the punctuation to be difficult to follow. With every comma, semicolon and dash, I only became more distraught and compelled to not want to continue reading. However since I want a passing grade in this course I did anyway, though it was painful to the brain. The story itself wasn’t bad; I followed along with some of it. I get the plot, characters and perspective and all of that. I too found it quite comical in some parts ,but got completely lost in others. I agree and think that Jason is more of a villain than a hero, he is conniving and misleading, but I think he was an appropriate character to be used in a story like this. Eventually there had to be an ending and I don’t think the story would have as much or any impacts or meaning like it does having the twist at the end.
    I agree with you on hoping that in the future assignments of this class, we have much more enlightening readings that maybe aren’t so difficult to interpret into modern English. In my conclusion: I think you and I are on full agreement on the opinion of this novel!

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  2. Ann,

    I think your blog was one of the first I read this week and I was so surprised by it. I had a totally different experience with this novel and found it so interesting how people’s opinions of the same book can differ. I love hearing about other people’s opinions since it really makes me go back and think about things in a different light to understand their perspective.

    As you may have guessed, I liked this novel and I even liked the quirky (although at time painful) narrative and writing style. For some reason, this book played out like a movie I was watching.

    I had very mixed emotions regarding Jason as a villain or a hero. I’m not sure he was either. On one hand, can you really blame someone for taking advantage of something that appears to be a good opportunity? However, from another person’s perspective, that same situation can appear to be conniving and heartless. It really simply depends on your perspective and I think this is something that Edgeworth may have been trying to point out. For example she writes, “Oh, Jason! Jason! How will you stand to this in the face of the county and all who know you?’ says I; ‘and what will people think and say, when they see you living here in Castle Rackrent, and the lawful owner turned out of the seat of his ancestors, without a cabin to put his head into or so much as a potato to eat?”(Edgeworth 109). In my opinion, Edgeworth may be trying to use this situation as a comparison to what was actually happening in Ireland at the time. England and the Anglo-Irish were taking over estates and land that was not “lawfully” theirs to take.

    Then with the twist at the end, Jason finds out that what he thought what “rightfully purchased” as his own may not be considered such by the law since lady Rackrent did not die and the memorandum regarding the jointure was possibly not “official”. I think this goes on to speak to the back and forth struggle between the Irish and the English over who has “rights” to the land.

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  3. Hey Ann,

    I have to admit that although this novel was a little bit more bearable than the last essay we had to read, having to constantly stop and refer back to the glossary or notes or even the introduction was quite annoying.

    I completely agree with your assessment of Jason and his unethical, and not to mention disloyal, actions toward the Rackrent family. “Oh, Jason! Jason! How will you stand to this in the face of the county and all who know you?’ says I; ‘and what will people think and say, when they see you living here in Castle Rackrent, and the lawful owner turned out of the seat of his ancestors, without a cabin to put his head into or so much as a potato to eat?”(109). Although to some Jason may have been perceived as a hero for finally breaking free of the subaltern class that he was born into and prevailing over the class oppressors, in Thady’s eyes it was a betrayal of not only the Rackrent family and himself, but also the only social class that he ever knew. In my personal opinion, although I applaud the effort to make a better life for yourself and break through the social classes, the manner in which he accomplished it was as you said “distasteful.”

    I am glad to see that I am not the only one that found Thady’s supposed loyalty and actions to be disingenuous. His whole “I live to serve the family” attitude did not stop me from observing his role in the downfall of the Rackrent family, no matter how unintentional.

    I found it very surprising to read that Castle Rackrent was the first novel to have a narrator whose account were neither accurate nor unbiased. Although I have never read a novel like this before, to hear that it is the first of its kind is very interesting.

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  4. Hi Ann,

    I’m so glad you said, “Thady as a narrator was a little tough to take. His tendency to refer to his humble, honest qualities made it clear these qualities most likely did not exist.” I felt exactly the same way! The way that he constantly repeated how honest and loyal he was seemed a little unnerving to me. And I definitely think that Jason was a bit greedy but when can we expect, he was a lawyer (just kidding, I joke because my Dad is a lawyer) but honestly he was smart with finances and he knew how to play poor oblivious Sir Condy. Sir Condy was an interesting character to me. For whatever reason, (I really can’t describe why) he was the most confusing to me. I think the whole thing with Judy just didn’t make sense to me. Maybe I can elaborate more after some review.
    At the end of your blog entry you said that you did a little research and found that Castle Rackrent was the first book to utilize a narrator who’s account is neither accurate nor unbiased…I’m curious as to where you found this? Perhaps the narration told through such a “dumb Irishman” perspective makes it seem unbiased, however, I think that Maria’s bias is definitely hidden within the reading. Like in the bog scene when Thady is highlighting Lady Rackrent’s ignorance, however, he plays it off like he isn’t doing it on purpose. (If you check out Sarah’s blog, Colleen added a really neat text comparison that makes you view this scene from a very interesting perspective)
    I think that this account of history is probably more interesting than reading a textbook about the Rackrents from a third party whom wasn’t even there. It may be a bit more fiction than accurate but none the less, perhaps more entertaining.

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